QUOTE (Mashimaro-san @ Apr 14 2009, 06:46 AM)

I think it's safe to say that BoA has quite a lot of money on her pocket.
BoA practically does a tour every single year and they are always sold out.
Except for specials though, like the Live X-Mas Special had few ppl :S.
That may be true but she doesn't earn nearly as much as many are led to believe. Unlike many Asian recording artists, American and European performers have external touring contracts with outside promoters and organizations such as Live Nation, Ticket Master, etc. These contracts are not tied into the artist/label contracts they signed when first distributed by the record labels. Each touring contract is between the promoting agency, the performing artist, the tour manager, and publicist/booking agent responsible for assembling the tour dates, locations, etc. and is completely independent from the record labels. These people are hired by the artists themselves and are not part of the record label they are signed under so all service fees are between the artist and the aformentioned service providers. (However, newcomer recording artists receive tour support from the labels to get them started for touring. Tour support is financing by the record label to help the artist organize and schedule tour dates, performances, and set up session instrumentalists for the duration of the tour. This amt will be paid back to the labels as well as a small percentage of the revenue generated by the artist.)
On the other hand, many Asian recording artists have concerts/tours tied into their contracts. In BoA's case, Avex is the primary organization and agency responsible for booking and promoting all BoA's Japanese tour activities. These are directly linked with the royalty percentages that she receives via album/single sales, etc. As a result, her royalty percentage is deemed as a whole package. She will receive a specified percentage of royalties from all NET album/single/DVD sales as well as a percentage of NET revenue earned via tour duties AFTER all expenses and deductions are procurred. Because BoA is signed under Avex and Avex acts as her record label, distributor, publicist, management agency, etc. all expenses for those duties must be paid off before BoA will be able to receive any royalties from her sales. If expenses exceed the revenue generated, they will be carried over into the next series of projects until the label is able to see profits. Only then will the artist begin receiving the royalty percentages they are due. However, these terms can be re-negotiated depending upon her sales and the revenue she generates. The label also reserves the right to drop the artist after a series of poor album sales...